NET NOISE
Acrylic on Panel
h. 64 3⁄16 X w. 53 in
EUCLID'S EYE
Acrylic on Panel
h. 23 7⁄8 X w. 23 7⁄8 in
CRUSTOSE
Acrylic on Panel
h. 15 1⁄4 X w. 12 in
FORMATION SERIES
Acrylic on Panel
h. 11 3⁄4 X w. 113⁄4 in
FORMATION SERIES
Acrylic on Panel
h. 11 1⁄4 X w. 111⁄4 in
FORMATION SERIES
Acrylic on Panel
h. 11 3⁄4 X w. 113⁄4 in
FRACTALLINE
Acrylic on Panel
h. 10 5⁄8 X w. 105⁄8 in
INTERSTICES
Acrylic on Panel
h. 10 5⁄8 X w. 105⁄8 in
update coming soon
AGGREGATION
Acrylic on Panel
h. 59 1⁄2 X w. 48 in
PYTHAGORAS A
Acrylic on Panel
h. 18 X 1⁄16 w. 24 in
AGGLOMERATE
Acrylic on Panel
h. 23 3⁄4 X w. 23 3⁄4 in
SERENITY
Acrylic on Panel
h. 47 3⁄4 X w. 35 3⁄4 in
ARRAY
Acrylic on Panel
h. 24 X w. 18 1⁄16in
OSCILLATE
Acrylic on Panel
h. 24 X w. 18 1⁄16 in
PEALS OF SPRING
Watercolor, Ink, and Acrylic on Paper
h. 36 3⁄8 X w. 28 3⁄4in
SYNTHESIS
Watercolor on Rive BFK
h. 18 1⁄16 X w. 24 in
TENDRIL I
Watercolor on Rive BFK
h. 18 1⁄16 X w. 24 in
COLLECTION SERIES
Recycled Security Envelopes and Ballpoint Pen
h. 5 1⁄2 X w. 5 1⁄2 in each
MATRIX SERIES
Recycled Security Envelopes and Ballpoint Pen
h. 121⁄2 X w. 12 1⁄2 in
MATRIX SERIES
Recycled Security Envelopes and Ballpoint Pen
h. 121⁄2 X w. 12 1⁄2 in
ACCUMULATION I
Ink on Paper
h. 11 1⁄14 X w. 14 1⁄14 in
ACCUMULATION II
Ink on Paper
h. 11 1⁄14 X w. 14 1⁄14 in
COLLECTION SERIES
Recycled Security Envelopes with Ballpoint Pen
h. 5 1⁄2 X w. 5 1⁄2 in each
Fluid II
Watercolor on Rives BFK
h. 29 1⁄2 X w. 29 1⁄2 in
Fluid III
Watercolor on Rives BFK
h. 22 1⁄2 X w. 30 1⁄2 in
TENDRIL II
Watercolor on Rives BFK
h. 18 1⁄16 X w. 24 in
COLLECTION SERIES
Recycled Security Envelopes with Ballpoint Pen
h. 5 1⁄2 X w. 5 1⁄2 ineach
COLLECTION SERIES
Recycled Security Envelopes with Ballpoint Pen
h. 5 1⁄2 X w. 5 1⁄2 in each
COLLECTION SERIES
Recycled Security Envelopes with Ballpoint Pen
h. 5 1⁄2 X w. 5 1⁄2 in each
COLLECTION SERIES
Recycled Security Envelopes with Ballpoint Pen
h. 5 1⁄2 X w. 5 1⁄2 in each
COLLECTION SERIES
Recycled Security Envelopes with Ballpoint Pen
h. 5 1⁄2 X w. 5 1⁄2 in each
COLLECTION SERIES
Recycled Security Envelopes with Ballpoint Pen
h. 5 1⁄2 X w. 5 1⁄2 in each
DISPERSION
Acrylic on Panel
h. 84 3⁄4 X w. 144 3⁄4 in
THIRDLING
Acrylic on Panel
h. 18 1⁄16 X w. 24 in
PIE
Acrylic on Panel
h. 18 1⁄16 X w. 24 in
COMPRESSION / EXPANSION A
Acrylic on Panel
h. 18 1⁄16 X w. 24 in
PLEXUS
Acrylic on Panel
h. 18 1⁄16 X w. 24 in
SPRING'S EDGE
Acrylic on Panel
h. 18 1⁄16 X w. 24 in
DRIFTING
Acrylic on Panel
h. 47 3⁄4 X w. 59 1⁄2 in
RESONANCE
Acrylic on Panel
h. 46 1⁄16 X w. 24 in
MAPPING
Acrylic on Panel
h. 18 1⁄16 X w. 24 in
Kansas City Artists Coalition (KCAC)
Charno Gallery
Kansas City Artists Coalition (KCAC)
Charno Gallery
56th Chautauqua Annual Exhibition of Contemporary Art
Strohl Art Center
Main Gallery Chautauqua Institution
Here and Now
Beach Museum of Art
Marion Pelton Gallery
Here and Now
Beach Museum of Art
Marion Pelton Gallery
Chad Alligood, chief curator of American art at the Huntington Library and formerly curator of the critically acclaimed Crystal Bridges "State of the Art" exhibition. Catalog for the exhibition includes a foreword by Alligood, and remarks at the reception.
Thirdling
Install View
HUB Permanet Art Collection
HUB First Floor near Lyceum, University of Washington
h. 86 1⁄16 X w. 12 ft
Installation View
Nested
Installation View
Kevin in Studio
Bellevue College
Bellevue Washington
Henry Gallery of Art
The Edge Effect
Katonah Museum of Art
AKILI TOMMASINO — Associate Curator, MFA Boston and former Curatorial Assistant, MoMA, New York.
photo Katonah Museum of Art Margaret Fox
The Edge Effect
Katonah Museum of Art
AKILI TOMMASINO — Associate Curator, MFA Boston and former Curatorial Assistant, MoMA, New York.
photo Katonah Museum of Art Margaret Fox
The Edge Effect
Katonah Museum of Art
AKILI TOMMASINO — Associate Curator, MFA Boston and former Curatorial Assistant, MoMA, New York.
photo Katonah Museum of Art Margaret Fox
